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	<title>laurathavenot.com</title>
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	<pubDate>Wed, 22 Mar 2023 21:41:20 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://laurathavenot.com/Home-Image-Scroll</link>

		<pubDate>Tue, 20 Jul 2021 21:00:56 +0000</pubDate>

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		<title>Info</title>
				
		<link>https://laurathavenot.com/Info</link>

		<pubDate>Tue, 20 Jul 2021 21:00:57 +0000</pubDate>

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Laura Thavenot

︎︎︎
 Scénographe indépendante depuis 2018.Diplomée de l’Ecole Nationale Supérieure des Arts Décoratifs de Paris 

︎︎︎ 
FORMATION
Venant d’une formation de commissariat d’exposition et production culturelle, elle envisage la scénographie comme le moyen de rendre sensible des situations de réception à l’art contemporain et aux thématiques sociétales.&#38;nbsp;
Sculpteur.e de l’espace et de sensations, elle interroge le médium de l’exposition.&#38;nbsp;

︎︎︎PROSPECT.

Projets personnels expositions avec un interêt particulier pour l’installation sonore. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Collaboration à la réalisation d’expositions d’artistes.
Recherches formelles constantes 
Ecrits et entretiens. 

︎︎︎
COLLAB.

Associée de l’agence Klapisch.scenographes depuis 2019, réalisations d’expositions aux thématiques sociétales. &#38;nbsp;
︎︎︎
Collaboration régulière avec la designer Sophia Taillet, rencontre entre espace et design.

ENG ︎︎︎Freelance scenographer since 2018.Graduated from the National School of Decorative Arts in ParisComing from an exhibition curating and cultural production training, she sees scenography as a means of making sensitive situations of reception to contemporary art and societal themes
 PROSPECT. 
Personal projects exhibitions with a particular interest in sound installation.&#38;nbsp;
Collaboration in the creation of artists' exhibitions. 
Constant formal research like so many utopias, 
Writings and interviews.
 COLLAB.&#38;nbsp;
Partner of the Klapisch.scenographes agency: realizations of exhibitions on societal themes. 
Regular collaboration with designer Sophia Taillet, a meeting place between space and design.

	
&#38;nbsp;
	


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	<item>
		<title>Competitions </title>
				
		<link>https://laurathavenot.com/Competitions</link>

		<pubDate>Tue, 20 Jul 2021 21:00:57 +0000</pubDate>

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Klapisch.scenographes
︎︎︎Competitions
Le concours est un temps à part dans la création. Moment furtif et intense, il n’en reste à postériori que très peu de traces, un plan, un concept et quelques esquisses. 

ENG︎︎︎The competition is a special time in the creation. A furtive and intense moment, only a few traces of it remain a posteriori, a plan, a concept and a few sketches.


	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/717233b47e2446c0c8f5be79c48e7ec6fbef26942b4d7911fd8fe800983b1ab8/CC-COSMETIC.gif" data-mid="122535975" border="0"  src="https://freight.cargo.site/w/1000/i/717233b47e2446c0c8f5be79c48e7ec6fbef26942b4d7911fd8fe800983b1ab8/CC-COSMETIC.gif" /&#62;

︎︎︎Concours︎︎︎ Juillet 2019
Exposition permanente&#38;nbsp;
cosmetic valley, LVMH project, Chartres



&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/fbf01c6dc44c36170e84365a3c9467b9fa1e81f43a1693b05c43b0af5a12f40c/CC-AREA.gif" data-mid="122536007" border="0"  src="https://freight.cargo.site/w/1000/i/fbf01c6dc44c36170e84365a3c9467b9fa1e81f43a1693b05c43b0af5a12f40c/CC-AREA.gif" /&#62;
︎︎︎Concours︎︎︎Mars 2020. Exposition temporaireAntropocène &#38;amp; le néolithique, 
Musée des confluences, Lyon

&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/fb5794734554149dc563771281f831310f8c62bfe12eb7824afd0b6564e9f8cd/CC-GROWND.gif" data-mid="122536032" border="0"  src="https://freight.cargo.site/w/1000/i/fb5794734554149dc563771281f831310f8c62bfe12eb7824afd0b6564e9f8cd/CC-GROWND.gif" /&#62;
︎︎︎Concours︎︎︎ Mars 2021.Espace permanent à destination du jeune public&#38;nbsp;Mousaillons, cité de la voile Tabarly, Rennes &#60;img width="595" height="842" width_o="595" height_o="842" data-src="https://freight.cargo.site/t/original/i/0103195e236a62c6e8115381716d88895c0bcef8eaa91f0b5efcf290b7337e2f/poles.gif" data-mid="129972560" border="0"  src="https://freight.cargo.site/w/595/i/0103195e236a62c6e8115381716d88895c0bcef8eaa91f0b5efcf290b7337e2f/poles.gif" /&#62; ︎︎︎Concours︎︎︎ Juillet 2021.Exposition permanente&#38;nbsp;Pôles, Musée Océanographique SAS Albert 1er, Monaco



	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/2d35c963d8e6c758a2d9fa409baf1309c66902bca0965a2dc16d1e301b72c4a2/CC-HISTORY.gif" data-mid="122536005" border="0"  src="https://freight.cargo.site/w/1000/i/2d35c963d8e6c758a2d9fa409baf1309c66902bca0965a2dc16d1e301b72c4a2/CC-HISTORY.gif" /&#62;
︎︎︎&#38;nbsp;Concours︎︎︎ Janvier 2020
Exposition permanente musée de l’imigration, Palais Porte doré

&#60;img width="595" height="842" width_o="595" height_o="842" data-src="https://freight.cargo.site/t/original/i/69833c8f0be7699bacec90bd5199c2443a1c5c550cdadf3d3e75916be06e5a9f/musee-tissu.gif" data-mid="129971890" border="0"  src="https://freight.cargo.site/w/595/i/69833c8f0be7699bacec90bd5199c2443a1c5c550cdadf3d3e75916be06e5a9f/musee-tissu.gif" /&#62;︎︎︎Concours︎︎︎ Mai 2020.Exposition permanenteMusée des Tissus, Lyon&#38;nbsp;

&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/1f9fbb3efd1c40324ca33724c1f037439ca3a41022e664d70a74bffbcfd694fb/CC-PLAYGROUND-CHILDREN.gif" data-mid="122536023" border="0"  src="https://freight.cargo.site/w/1000/i/1f9fbb3efd1c40324ca33724c1f037439ca3a41022e664d70a74bffbcfd694fb/CC-PLAYGROUND-CHILDREN.gif" /&#62;

︎︎︎Concours︎︎︎ Mai 2021.Exposition temporaire 
Fouloscopie, Cité des sciences, Universcience, Paris






	



	
	

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		<title>Création en cours</title>
				
		<link>https://laurathavenot.com/Creation-en-cours</link>

		<pubDate>Sun, 06 Feb 2022 18:40:28 +0000</pubDate>

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Research&#38;nbsp;︎︎︎Création en cours&#38;nbsp;Dispositifs scénographiques &#38;nbsp;manifestes︎︎︎
mise en oeuvre de dispositifs réinterprétant&#38;nbsp;les code, le répertoire muséal. scénographie entrevue comme une sculpture du sens et de l’espace. 
dispositifs temporaires en dialogues avec&#38;nbsp;les lieux et les collections . 
mise&#38;nbsp;en oeuvre située d’une reflexion en partenariat&#38;nbsp;avec différentes institutions&#38;nbsp;&#38;nbsp;

&#60;img width="2420" height="1208" width_o="2420" height_o="1208" data-src="https://freight.cargo.site/t/original/i/d79aa274564a7803ed0f8a4b9fad4257425f24841d3cfe104e8b9a6b06eee7da/Capture-decran-2023-03-22-a-22.18.42.png" data-mid="172732093" border="0"  src="https://freight.cargo.site/w/1000/i/d79aa274564a7803ed0f8a4b9fad4257425f24841d3cfe104e8b9a6b06eee7da/Capture-decran-2023-03-22-a-22.18.42.png" /&#62;
&#60;img width="2418" height="1202" width_o="2418" height_o="1202" data-src="https://freight.cargo.site/t/original/i/642214493c45c00aae3caea7391c84940ad8bbc876ac4239b33be53eab1a06ba/Capture-decran-2023-03-22-a-22.18.34.png" data-mid="172732098" border="0"  src="https://freight.cargo.site/w/1000/i/642214493c45c00aae3caea7391c84940ad8bbc876ac4239b33be53eab1a06ba/Capture-decran-2023-03-22-a-22.18.34.png" /&#62;


&#60;img width="3344" height="2272" width_o="3344" height_o="2272" data-src="https://freight.cargo.site/t/original/i/abee2c0bb298d659dcb7d3e71f91c5fcc5f533826772a846d71e752b3b52c184/image1.jpeg" data-mid="172731851" border="0"  src="https://freight.cargo.site/w/1000/i/abee2c0bb298d659dcb7d3e71f91c5fcc5f533826772a846d71e752b3b52c184/image1.jpeg" /&#62;
&#60;img width="3493" height="2407" width_o="3493" height_o="2407" data-src="https://freight.cargo.site/t/original/i/e7ec747eed3cfffd984898a53a07cfba74c5adba3677a12647af0417212f44b2/image0.jpeg" data-mid="172731831" border="0"  src="https://freight.cargo.site/w/1000/i/e7ec747eed3cfffd984898a53a07cfba74c5adba3677a12647af0417212f44b2/image0.jpeg" /&#62;
&#60;img width="3353" height="2436" width_o="3353" height_o="2436" data-src="https://freight.cargo.site/t/original/i/e9c599999ad9e73f35b76f486e217a3bea5e894cf0b06bfa2aa7e2dfbad62882/image2.jpeg" data-mid="172731609" border="0"  src="https://freight.cargo.site/w/1000/i/e9c599999ad9e73f35b76f486e217a3bea5e894cf0b06bfa2aa7e2dfbad62882/image2.jpeg" /&#62;
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		<title>Portfolio 2025</title>
				
		<link>https://laurathavenot.com/Portfolio-2025</link>

		<pubDate>Wed, 22 Mar 2023 21:41:20 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

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Portfolio&#38;nbsp;︎︎︎2025
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/a92ecc49116849f5de0c2500d3a37da4eca6f5e02d3a94b8227fdf9e1be49fc1/portfolio-2025.jpg" data-mid="235280011" border="0"  src="https://freight.cargo.site/w/1000/i/a92ecc49116849f5de0c2500d3a37da4eca6f5e02d3a94b8227fdf9e1be49fc1/portfolio-2025.jpg" /&#62;&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/b131c47105fd864ad325f6a1c7da668b3fc6a213ff4212bfa76d17ad7419f8b7/portfolio-20252.jpg" data-mid="235280012" border="0"  src="https://freight.cargo.site/w/1000/i/b131c47105fd864ad325f6a1c7da668b3fc6a213ff4212bfa76d17ad7419f8b7/portfolio-20252.jpg" /&#62;&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/3a15ada3bbf5ce28b932a7d62d600fd2c3e6e31de5069aa005d1ed8f735f8263/portfolio-20253.jpg" data-mid="235280015" border="0"  src="https://freight.cargo.site/w/1000/i/3a15ada3bbf5ce28b932a7d62d600fd2c3e6e31de5069aa005d1ed8f735f8263/portfolio-20253.jpg" /&#62;</description>
		
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		<title>A ta recherche</title>
				
		<link>https://laurathavenot.com/A-ta-recherche</link>

		<pubDate>Fri, 12 Nov 2021 09:38:55 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

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. A ta recherche


	&#60;img width="640" height="912" width_o="640" height_o="912" data-src="https://freight.cargo.site/t/original/i/f2a6c8eb1f0345a6f30429833cccdb91f49350855d52b780687788fdd4c8d653/A-ta-recherche2_LauraThavenot_Caroline-Corbasson_Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" data-mid="124341788" border="0"  src="https://freight.cargo.site/w/640/i/f2a6c8eb1f0345a6f30429833cccdb91f49350855d52b780687788fdd4c8d653/A-ta-recherche2_LauraThavenot_Caroline-Corbasson_Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" /&#62;
	&#60;img width="3264" height="4928" width_o="3264" height_o="4928" data-src="https://freight.cargo.site/t/original/i/777330525cab637008b59b1d9965536ef9e89352e47ee4277c4cab46b37da5fb/caroline_corbasson-a_ta_recherche-lam-2019-2.jpg" data-mid="124346407" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/777330525cab637008b59b1d9965536ef9e89352e47ee4277c4cab46b37da5fb/caroline_corbasson-a_ta_recherche-lam-2019-2.jpg" /&#62;


DU / 29 juin 2019 au 18 août 2019
 FRAC PACA, plateau multimédia &#38;amp; expérimental, Marseille



















Scénographie
et conception de mobilier&#38;nbsp;︎︎︎ Exposition «A ta recherche&#38;nbsp; ︎︎︎ Caroline Corbasson,
en partenariat avec le CNRS
et le LAM, Euclid project, et les Rencontres d’Arles.&#38;nbsp;

 




















 Carte
blanche sur l’énergie sombre. D’une fascination pour le domaine scientifique,
l’espace d’exposition devient un espace de recherche où les visiteurs
s’attardent, prennent place, consultent, écrivent. La scénographie s’articule
autour d’un mobilier réalisée en verre et acier, conçu comme une sculpture de
synthèse évocatrice du lieu de recherche qu’est le laboratoire. Une série de
photographies ainsi que deux dessins au charbon donne en vis à vis la main de
l’homme face à la quête infinie de l’univers.&#38;nbsp;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d2a86bb3e54d00d32518654fb5ed5a2e73da69d43a44e3d34b902877da4523ae/A-ta-recherche_Laura-Thavenot_Caroline-Corbasson_Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" data-mid="124341787" border="0"  src="https://freight.cargo.site/w/1000/i/d2a86bb3e54d00d32518654fb5ed5a2e73da69d43a44e3d34b902877da4523ae/A-ta-recherche_Laura-Thavenot_Caroline-Corbasson_Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d374954034927281415ca2a589993270d739b01c4b9d6ea4973d55cab5cbc1bc/Photography-_A-ta-recherche_Laura-Thavenot_Andrea-Montano--Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" data-mid="124341791" border="0"  src="https://freight.cargo.site/w/1000/i/d374954034927281415ca2a589993270d739b01c4b9d6ea4973d55cab5cbc1bc/Photography-_A-ta-recherche_Laura-Thavenot_Andrea-Montano--Photo-Frac-Provence-Alpes-Cote-dAzur-Laurent-Lecat.jpeg" /&#62;
Mobilier,
table et banc, en verre et acier. Conception.︎︎︎ Laura Thavenot pour Caroline
Corbasson. 
︎︎︎Artisans. Miroiterie Rémi &#38;amp; Ronan Duret. Collection. CNRS.

Photographies.
︎︎︎Andréa Montano pour Caroline Corbasson. 


Diptyque
dessins au charbon. ︎︎︎Caroline Corbasson. 
Programmation
lumineuse et scénographie. Conception ︎︎︎Laura Thavenot

︎︎︎ENG
Set designer and furniture
design,︎︎︎ “A ta recherche”exhibition,︎︎︎ Caroline Corbasson, ︎︎︎ FRAC PACA,
multimedia &#38;amp; experimental platform, in partnership with the CNRS and the
LAM, Euclid project.



White card on dark energy.

From a fascination with the scientific field, the exhibition space becomes a
research space where visitors linger, take their places, consult, write. The
scenography revolves around furniture made of glass and steel, designed as a
synthetic sculpture evocative of the place of research, the laboratory. A
series of photographs as well as two charcoal drawings make face to face the
human hand of the infinite quest for the universe.
Furniture, table and bench, in
glass and steel. Design. Laura Thavenot for Caroline Corbasson. Craftsmen. Rémi
&#38;amp; Ronan Duret mirrors. Collection. CNRS.
Photographs. Andréa Montano
for Caroline Corbasson.
Diptych charcoal drawings. Caroline Corbasson.


















</description>
		
	</item>
		
		
	<item>
		<title>Vigie</title>
				
		<link>https://laurathavenot.com/Vigie</link>

		<pubDate>Mon, 15 Nov 2021 22:46:11 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

		<guid isPermaLink="true">https://laurathavenot.com/Vigie</guid>

		<description>

. Vigie



&#60;img width="420" height="280" width_o="420" height_o="280" data-src="https://freight.cargo.site/t/original/i/d86e85c381f477249d8aee4025a90b315c04502134edb6ada23a511c125a5b27/25520034_10215863397161194_1323733620_n.jpg" data-mid="124664082" border="0"  src="https://freight.cargo.site/w/420/i/d86e85c381f477249d8aee4025a90b315c04502134edb6ada23a511c125a5b27/25520034_10215863397161194_1323733620_n.jpg" /&#62; 
&#60;img width="2172" height="1222" width_o="2172" height_o="1222" data-src="https://freight.cargo.site/t/original/i/99221c5de6df7511f34f92bc73482f09f2b4e09b6b360cadb70d2c57a7855987/Capture-decran-2018-05-29-a-00.24.49.png" data-mid="124669928" border="0"  src="https://freight.cargo.site/w/1000/i/99221c5de6df7511f34f92bc73482f09f2b4e09b6b360cadb70d2c57a7855987/Capture-decran-2018-05-29-a-00.24.49.png" /&#62;
&#60;img width="2180" height="1228" width_o="2180" height_o="1228" data-src="https://freight.cargo.site/t/original/i/723798b2ffe9ecf2754d41776d0ee87834689960d99b771eeb7acffb75cfb297/Capture-decran-2018-05-29-a-00.23.27.png" data-mid="124669926" border="0"  src="https://freight.cargo.site/w/1000/i/723798b2ffe9ecf2754d41776d0ee87834689960d99b771eeb7acffb75cfb297/Capture-decran-2018-05-29-a-00.23.27.png" /&#62;
&#60;img width="2176" height="1220" width_o="2176" height_o="1220" data-src="https://freight.cargo.site/t/original/i/4b84e8ed221113f12a0a1a21f38d9ac3e596eb8ad2d68b87482498b1f1b9b4da/Capture-decran-2018-05-29-a-00.20.51.png" data-mid="124669925" border="0"  src="https://freight.cargo.site/w/1000/i/4b84e8ed221113f12a0a1a21f38d9ac3e596eb8ad2d68b87482498b1f1b9b4da/Capture-decran-2018-05-29-a-00.20.51.png" /&#62;
&#60;img width="2174" height="1220" width_o="2174" height_o="1220" data-src="https://freight.cargo.site/t/original/i/b8e2382d6bf5899ec0ad09ec323f06f21f70c7d0f9efccddc948b18539f91490/Capture-decran-2018-05-29-a-00.18.51.png" data-mid="124669923" border="0"  src="https://freight.cargo.site/w/1000/i/b8e2382d6bf5899ec0ad09ec323f06f21f70c7d0f9efccddc948b18539f91490/Capture-decran-2018-05-29-a-00.18.51.png" /&#62;
&#60;img width="2180" height="1226" width_o="2180" height_o="1226" data-src="https://freight.cargo.site/t/original/i/95ebfa1b919554e380075530bf206eb6493278550adc53b84fd58c59c4f3c39b/Capture-decran-2018-05-29-a-00.17.42.png" data-mid="124669922" border="0"  src="https://freight.cargo.site/w/1000/i/95ebfa1b919554e380075530bf206eb6493278550adc53b84fd58c59c4f3c39b/Capture-decran-2018-05-29-a-00.17.42.png" /&#62;
&#60;img width="2170" height="1222" width_o="2170" height_o="1222" data-src="https://freight.cargo.site/t/original/i/1f963f686d51f67832bde079da337dc386ba832edc5d93ff1d9427e499398dad/Capture-decran-2018-05-29-a-00.17.26.png" data-mid="124669919" border="0"  src="https://freight.cargo.site/w/1000/i/1f963f686d51f67832bde079da337dc386ba832edc5d93ff1d9427e499398dad/Capture-decran-2018-05-29-a-00.17.26.png" /&#62;
Vigie ︎︎︎2018
 ︎︎︎ CIAP Centre internationnal d’art et du paysage  ︎︎︎&#38;nbsp;Ile de Vassivière
Scénario, conception réalisation, installation sonore et vidéo.
Captation vidéo. avec Lucile Boiron 
Conception sonore. avec Mathieu Gasnier
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 











Programme de veillé pour lieu d’exposition. 
Un groupe de visiteurs doit le temps d’une nuit, assurer la surveillance d’un environnement depuis un poste d’observation. Ils sont invités à être les occupants de ce lieu, les gardiens d’une surveillance nocturne portée par une installation sonore rediffusant en un huis clos les sons captés aux quatre coins du territoire. Cette diffusion sonore offre un temps long rendant sensible la mesure, les caractéristiques de l’environnement architectural et naturel — et instaurent une familarité inédite avec les oeuvres d’art.


	












Dans cette cave, ︎︎︎
il vente gronde vole
Dans cette salle, 
il pleut griffe rampe 
Dans ce paysage, 
il inonde siffle germe
Dans cet espace, 
il brûle crépite et grave




Il y avait donc une fête dans cette solitude, 

une veillée.



	

︎︎︎In this cellar,
he sells rumbles flies
In this room,
it's raining claw crawls
In this landscape,
he whistles germ
In this space,
it burns crackles and serious


So there was a party 
in this loneliness,

a vigil.


















ENG.︎︎︎
 Nocturnal program for exhibition site.A group of visitors must, overnight, monitor an environment from an observation post. They are invited to be the occupants of this place, the guards of a night watch carried by a sound installation rebroadcasting in camera the sounds picked up in the four corners of the territory. This sound diffusion lasts a long time, making the measurement and the characteristics of the architectural and natural environment sensitive - and establishes an unprecedented familiarity with works of art.
</description>
		
	</item>
		
		
	<item>
		<title>Gallery</title>
				
		<link>https://laurathavenot.com/Gallery</link>

		<pubDate>Tue, 16 Nov 2021 22:47:02 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

		<guid isPermaLink="true">https://laurathavenot.com/Gallery</guid>

		<description>

. Captures Gallery&#38;nbsp;
&#60;img width="1648" height="1232" width_o="1648" height_o="1232" data-src="https://freight.cargo.site/t/original/i/d433e6ba8624d5cfc5fd2969a2a346adf3a3980ac1b5cd52b9d26e830d17e573/Capture-decran-2021-11-16-a-23.48.12.png" data-mid="124801869" border="0"  src="https://freight.cargo.site/w/1000/i/d433e6ba8624d5cfc5fd2969a2a346adf3a3980ac1b5cd52b9d26e830d17e573/Capture-decran-2021-11-16-a-23.48.12.png" /&#62;
1/100
Captures Gallery / 2020 2022
From Comissaires Anonymes prospect.&#38;nbsp;
Galerie d'accès, d'allongement, chassante, de direction, d'épuisement, latérale, principale, de traçage, faire illusion, creuser, toit, voiture ...

Le projet Gallery, se compose de micros atmosphères évoquant la sémantique éponyme.&#38;nbsp;
Par un contrepoint scénographique et poétique, ces compositions tentent de donner l’ampleur à un terme usée par l’art et la société.&#38;nbsp;
L’exposition prendra la forme d’une serie photographiques accompagnés d’une bande sonore ainsi que d’une cartographie des sites occupées.&#38;nbsp;
&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/ab927ac689acc2d76e9d56618239b56e5e291041dd9a5bed238dd28201c9cdea/2018_11_Rijksakademie27.jpg" data-mid="124801722" border="0"  src="https://freight.cargo.site/w/640/i/ab927ac689acc2d76e9d56618239b56e5e291041dd9a5bed238dd28201c9cdea/2018_11_Rijksakademie27.jpg" /&#62;
2/100
ENG︎︎︎Access gallery, lengthening, chasing, direction, exhaustion, lateral, main, tracing, illusion, digging, roof, car ...

The Gallery project consists of micro atmospheres evocated a eponymous semantic.
Through up a scenographic and poetic counterpoint, these compositions attempt to broaden a term sale by art and society.

The exhibition became one hundred photographs and a soundtrack as well as a cartography of the occupied sites.


</description>
		
	</item>
		
		
	<item>
		<title>Répertoire</title>
				
		<link>https://laurathavenot.com/Repertoire</link>

		<pubDate>Tue, 16 Nov 2021 23:12:34 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

		<guid isPermaLink="true">https://laurathavenot.com/Repertoire</guid>

		<description>

. Répertoire




&#60;img src="https://freight.cargo.site/w/400/q/75/i/c1ca69974a799412f27f0613dea65bb453f0d2bff56843b1bed26022cef15835/IMG_7973.jpg"&#62;
Nouvelles scènes (muséales),&#38;nbsp;l'interprétation du répertoire ︎︎︎2018
 ︎︎︎Thesus ENSAD, Paris
Avec le soutien de Frank Gautherot, rédacteur des éditions 
Les presses du réel.&#38;nbsp;

Cette in-définition nommé « nouvelles scènes », renferme la volonté d'une échappée disciplinaire. Et exprime également le biais privilégié des arts vivants permettant de générer une pensée muséologique renouvelée. L'enjeu est d'interroger la fonction et place d'un répertoire au musée pour autant de possibles conditions d'interprétation et politique d’actions.

« […] l’oeuvre se dédouble. tout lecteur non seulement constinue à porter&#38;nbsp;des signes’ proposeune représentation,mais entreprends de réécrire ce qu’il lit »

	
Entretiens réalisés avec&#38;nbsp; : Frank Lebovici, Gyan Panchal, Jessica Castex, Beatrice Balcou, Paul Virilio...Available here︎︎︎.


&#60;img width="1304" height="918" width_o="1304" height_o="918" data-src="https://freight.cargo.site/t/original/i/f35bd25d8b8283ca574769728c4943281cde527005fc90bb30349f7bf64f9b5c/Repetoires_icono_Writing_LauraThavenot.png" data-mid="125585971" border="0"  src="https://freight.cargo.site/w/1000/i/f35bd25d8b8283ca574769728c4943281cde527005fc90bb30349f7bf64f9b5c/Repetoires_icono_Writing_LauraThavenot.png" /&#62;
&#60;img width="1310" height="920" width_o="1310" height_o="920" data-src="https://freight.cargo.site/t/original/i/6a1f510e0e04ea129c489462d135fe107eff46df313b7573037b7a8430b7d39f/Repetoires_sommaire_Writing_LauraThavenot.png" data-mid="125585975" border="0"  src="https://freight.cargo.site/w/1000/i/6a1f510e0e04ea129c489462d135fe107eff46df313b7573037b7a8430b7d39f/Repetoires_sommaire_Writing_LauraThavenot.png" /&#62;
&#60;img width="1306" height="924" width_o="1306" height_o="924" data-src="https://freight.cargo.site/t/original/i/69ad332b0a34cb1e0f5e2d96141b5d86a85a9dec853accec743323b9964bb978/Repetoires_a-plac-apart_Writing_LauraThavenot.png" data-mid="125585962" border="0"  src="https://freight.cargo.site/w/1000/i/69ad332b0a34cb1e0f5e2d96141b5d86a85a9dec853accec743323b9964bb978/Repetoires_a-plac-apart_Writing_LauraThavenot.png" /&#62;
&#60;img width="1302" height="922" width_o="1302" height_o="922" data-src="https://freight.cargo.site/t/original/i/84e1c9613a42698745db42709c37c89bce099200b95cd38290eaaddbbfc1c091/Repetoires_Thomas-Hirschorn_Writing_LauraThavenot.png" data-mid="125585984" border="0"  src="https://freight.cargo.site/w/1000/i/84e1c9613a42698745db42709c37c89bce099200b95cd38290eaaddbbfc1c091/Repetoires_Thomas-Hirschorn_Writing_LauraThavenot.png" /&#62;
&#60;img width="1306" height="918" width_o="1306" height_o="918" data-src="https://freight.cargo.site/t/original/i/3d881543203c6dffeb5773990a5643752347b8ee729e3bd8bb59583139c1eaa4/Repetoires_FrankLebovici_Writing_LauraThavenot.png" data-mid="125585967" border="0"  src="https://freight.cargo.site/w/1000/i/3d881543203c6dffeb5773990a5643752347b8ee729e3bd8bb59583139c1eaa4/Repetoires_FrankLebovici_Writing_LauraThavenot.png" /&#62;
&#60;img width="1306" height="920" width_o="1306" height_o="920" data-src="https://freight.cargo.site/t/original/i/fc55e26b6cfdd0d8edc8fb52f7c3e930a229606eb2f3b029910200c731d3a4b9/Repetoires_synopsis_Writing_LauraThavenot.png" data-mid="125585980" border="0"  src="https://freight.cargo.site/w/1000/i/fc55e26b6cfdd0d8edc8fb52f7c3e930a229606eb2f3b029910200c731d3a4b9/Repetoires_synopsis_Writing_LauraThavenot.png" /&#62;



 . Réserver,︎︎︎
&#60;img width="1114" height="1586" width_o="1114" height_o="1586" data-src="https://freight.cargo.site/t/original/i/a0eed8fdc0ae12f91285ccc1965b137029fff309ea44b8361ad7328784eac1f9/Reserver_l-envers-de-l-exposition-PROGRAMMELauraTahvenot1.png" data-mid="129959977" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a0eed8fdc0ae12f91285ccc1965b137029fff309ea44b8361ad7328784eac1f9/Reserver_l-envers-de-l-exposition-PROGRAMMELauraTahvenot1.png" /&#62;


	l’envers de l’exposition&#60;img width="1116" height="1596" width_o="1116" height_o="1596" data-src="https://freight.cargo.site/t/original/i/7491a5fb448e0b88d6b182ca3a67e86269898d9b2e3978ced6113900b80762fa/Reserver_l-envers-de-l-exposition-PROGRAMMELauraThavenot.png" data-mid="129960021" border="0"  src="https://freight.cargo.site/w/1000/i/7491a5fb448e0b88d6b182ca3a67e86269898d9b2e3978ced6113900b80762fa/Reserver_l-envers-de-l-exposition-PROGRAMMELauraThavenot.png" /&#62;
Exposition Réserver l’envers de l’exposition,Avec le soutien de la Galerie OFR.201&#38;nbsp;
︎︎︎ Programme de recherches,&#38;nbsp;en collaboration avec Lena Martin &#38;amp; Camille Daoulas.

“Le terme d’exposition ne convient qu’imparfaitement. Il s’agit ici de penser un environnement, un lieu de recherche et de questionnement. Mise en jeu : les membres du bureau « la Réserve », intervenants et visiteurs constituent les acteurs de ce montage en direct. Cette rencontre de compétences et sensibilités conjointes permettra la production en un temps d’une forme de lecture multiples. La résolution est de rendre visible en temps réel l’émergence d’une structure de pensée, par un corpus mis en exposition.”











Problématique : Qu’est ce que l’acte d’exposer ? Pour quelle conservation ? Quelle mesure ? Quelle nécessité ?


&#60;img width="1280" height="895" width_o="1280" height_o="895" data-src="https://freight.cargo.site/t/original/i/38901e61c61383b322bf41d130a5400565981fd8f03f61d0c94d50a712ba9b21/IMG_5957.jpg" data-mid="129953983" border="0"  src="https://freight.cargo.site/w/1000/i/38901e61c61383b322bf41d130a5400565981fd8f03f61d0c94d50a712ba9b21/IMG_5957.jpg" /&#62;

ENG︎︎︎ 
“The term exposure is only imperfect. This is about thinking of an environment, a place of research and questioning. Stake: the members of the “Reserve” office, speakers and visitors are the actors of this live assembly. This meeting of joint skills and sensibilities will allow the production in one step of a form of multiple reading. The resolution is to make the emergence of a thought structure visible in real time, through a body of work on display. ”


Problem: What is the act of exhibiting? For what conservation? What measure? What need?-
. Solitaire, parcours
&#60;img width="800" height="532" width_o="800" height_o="532" data-src="https://freight.cargo.site/t/original/i/a8dbfbc48686da3197aa3340e342fe243a829259b2044dcffc73bb98f3aaf38c/CORIN-SWORN_KS17723-800x532.jpg" data-mid="129953660" border="0"  src="https://freight.cargo.site/w/800/i/a8dbfbc48686da3197aa3340e342fe243a829259b2044dcffc73bb98f3aaf38c/CORIN-SWORN_KS17723-800x532.jpg" /&#62;Solitaire, parcours, 2016︎︎︎Etudes poétiques des publics, en partenariat Palais de Tokyo, carte blanche Tino Seghal&#38;nbsp;


	&#60;img width="800" height="532" width_o="800" height_o="532" data-src="https://freight.cargo.site/t/original/i/003c4f6e7d584bb322c61503d8c4460ce950548a7d5ab502e9fbb451212ab3ab/CORIN-SWORN_KS17721-800x532.jpg" data-mid="129953662" border="0"  src="https://freight.cargo.site/w/800/i/003c4f6e7d584bb322c61503d8c4460ce950548a7d5ab502e9fbb451212ab3ab/CORIN-SWORN_KS17721-800x532.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Antropocène</title>
				
		<link>https://laurathavenot.com/Antropocene</link>

		<pubDate>Fri, 08 Apr 2022 18:48:22 +0000</pubDate>

		<dc:creator>laurathavenot.com</dc:creator>

		<guid isPermaLink="true">https://laurathavenot.com/Antropocene</guid>

		<description>
competition temporary exhibtion - antropocene area



&#60;img width="1830" height="1054" width_o="1830" height_o="1054" data-src="https://freight.cargo.site/t/original/i/e2df3ef03c79eb0efb37d9c385e6123e0c2ea9a564a413cb56696388c2744ff0/ANTROPOCENEAXO.png" data-mid="139119405" border="0"  src="https://freight.cargo.site/w/1000/i/e2df3ef03c79eb0efb37d9c385e6123e0c2ea9a564a413cb56696388c2744ff0/ANTROPOCENEAXO.png" /&#62;
&#60;img width="1920" height="1128" width_o="1920" height_o="1128" data-src="https://freight.cargo.site/t/original/i/297a9050866e865ec68ffc510ee34ca33015eb03db9a9e4effc74edd2d337eb3/ANTROPOCENEAXO2.png" data-mid="139119454" border="0"  src="https://freight.cargo.site/w/1000/i/297a9050866e865ec68ffc510ee34ca33015eb03db9a9e4effc74edd2d337eb3/ANTROPOCENEAXO2.png" /&#62;

︎︎︎Mars 2020&#38;nbsp;︎︎︎&#38;nbsp;Programme ︎︎︎Exposition temporaire&#38;nbsp;︎︎︎ Musée des confluences, Lyon


Scénographie : Klapisch.scenographesGraphisme : Tera crétation Conception lumière : Henri Maria Leutner - GelaticConception audiovisuelle : Mardi 8 Partenaire scientifique : L’institut des futurs souhaitables

Comment habitons nous la terre ? 
Parcours circulaire et accélérations temporelle tangible de la bascule nétholique aux perspectives contemporaines &#38;nbsp;sur l’avenir de l’homme.Travail autour des seuils, sauts temporels, traversées thématiques, perte de repères et occupation du territoire sans echappée, cerné par la présence de l’homme.&#38;nbsp;

	
&#60;img width="340" height="340" width_o="340" height_o="340" data-src="https://freight.cargo.site/t/original/i/5202d7e20ac96b76c024c89712d30f3b3159bd64741b2d93c33c4428af3fec50/Antropocene-habiter-la-terre-Thavenot8.png" data-mid="139122069" border="0"  src="https://freight.cargo.site/w/340/i/5202d7e20ac96b76c024c89712d30f3b3159bd64741b2d93c33c4428af3fec50/Antropocene-habiter-la-terre-Thavenot8.png" /&#62;
&#60;img width="340" height="340" width_o="340" height_o="340" data-src="https://freight.cargo.site/t/original/i/ab1a5bdc60a79e575587e88b357e220dfdb2a61e2d1beda5a088bae29983c5c1/Antropocene-habiter-la-terre-Thavenot11.png" data-mid="139119514" border="0"  src="https://freight.cargo.site/w/340/i/ab1a5bdc60a79e575587e88b357e220dfdb2a61e2d1beda5a088bae29983c5c1/Antropocene-habiter-la-terre-Thavenot11.png" /&#62;
&#60;img width="340" height="340" width_o="340" height_o="340" data-src="https://freight.cargo.site/t/original/i/84f69c3aa08ccab724bd8d0c60e4fa921f6e3be115d9b3aa325775fb406c245c/Antropocene-habiter-la-terre-Thavenot12.png" data-mid="139119511" border="0"  src="https://freight.cargo.site/w/340/i/84f69c3aa08ccab724bd8d0c60e4fa921f6e3be115d9b3aa325775fb406c245c/Antropocene-habiter-la-terre-Thavenot12.png" /&#62;

	
&#60;img width="340" height="340" width_o="340" height_o="340" data-src="https://freight.cargo.site/t/original/i/4f2cb779069fe3009b242fd2500e0aa2b35b902637812583eba487cc94f42965/Antropocene-habiter-la-terre-Thavenot10.png" data-mid="139119486" border="0"  src="https://freight.cargo.site/w/340/i/4f2cb779069fe3009b242fd2500e0aa2b35b902637812583eba487cc94f42965/Antropocene-habiter-la-terre-Thavenot10.png" /&#62;
&#60;img width="340" height="340" width_o="340" height_o="340" data-src="https://freight.cargo.site/t/original/i/ffa4ef78fc7c09f78c12b2593f2dbbd0401ea58abd72ab2371f6c0af991ec500/Antropocene-habiter-la-terre-Thavenot7.png" data-mid="139122068" border="0"  src="https://freight.cargo.site/w/340/i/ffa4ef78fc7c09f78c12b2593f2dbbd0401ea58abd72ab2371f6c0af991ec500/Antropocene-habiter-la-terre-Thavenot7.png" /&#62;
&#60;img width="595" height="595" width_o="595" height_o="595" data-src="https://freight.cargo.site/t/original/i/a6f6143346bf8ca0908497088332bddad5b50fbd015b5d4b122ad565782b7b8e/Antropocene-Thavenot3.png" data-mid="139122075" border="0"  src="https://freight.cargo.site/w/595/i/a6f6143346bf8ca0908497088332bddad5b50fbd015b5d4b122ad565782b7b8e/Antropocene-Thavenot3.png" /&#62;


ENG ︎︎︎
How do you leave the earth ? Circular display and speed temporal sensation of the shift of neolithic period to a futur man perspectives. Work around thresholds, temporal passage, tematic crossing, loss and landmarks and occupation of the territory without escape, surrounded by the human place.&#38;nbsp;
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